Bribble’s rendering of the service —he had the sort of voice that brings out things—and was still teeming with ideas about it when finally a wild outburst from the organ made it clear that, whatever snivelling there might be down in the chancel, that excellent wind instrument was, in its Mendelssohnian way, as glad as ever it could be. With a gesture which was without any kind of emotional expression, the manager indicated the silent crumpled figure on the floor and gave the room number. The daughters, he had hoped, would be their mother’s care. Anna, who had sung the first verse of her song, looked around the house, a little surprised at the absence of the applause which had never yet failed her.
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