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The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. ‘But you said—’ Gerald tutted. Remember that. ‘Didn’t mean it, love. “How did you become a vampire, then?” He asked. She saw her life before her robbed of all generous illusions, the wrappered life unwrappered forever, vistas of dull responses, crises of makebelieve, years of exacting mutual disregard in a misty garden of fine sentiments.

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