Her features were still slightly marked by the disorder alluded to in the description of her as a child,—but that was the only drawback to her beauty. She went past three keenly observant and ostentatiously preoccupied waiters down the thickcarpeted staircase and out of the Hotel Rococo, that remarkable laboratory of relationships, past a tall porter in blue and crimson, into a cool, clear night. Had he been listening inside? ‘What is amiss?’ ‘That Frenchie, sir. Instead, they lived a Bohemian existence, moving from patron to patron, city to city. It was debauching, this—a devilish art which drew such strange allurements from a face and figure almost Madonna-like in their simplicity. In Darrell's open features, frankness and honour were written in legible characters; while, in Jack's physiognomy, cunning and knavery were as strongly imprinted.
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