On the right, stood a bulky figure, with a broken rattle hanging out of his great-coat pocket, who held up a lantern to his battered countenance to prove to the spectators that both his orbs of vision were darkened: on the left, a meagre constable had divested himself of his shirt, to bind up with greater convenience a gaping cut in the arm. As if we didn’t know! The practical trouble is our ages. On one side of the handbill a print of the reigning sovereign, Anne, had been pinned over the portrait of William the Third, whose aquiline nose, keen eyes, and luxuriant wig, were just visible above the diadem of the queen. And not only so, but that it was after all, a more systematic and particular method of examining just the same questions that underlay the discussions of the Fabian Society, the talk of the West Central Arts Club, the chatter of the studios and the deep, the bottomless discussions of the simple-life homes. “I must try the Directory. I am having them to my own soirée on Monday.
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