The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. She leaned back in the corner of the cab with a little sigh of relief. “You had no right—” panted Ann Veronica. “Didn’t you know he was married?” asked Miss Klegg, and was struck by a thought that made her glance quickly at her companion. You are restless, aggressive, critical with all the crude unthinking criticism of youth.
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