Part 2 When at last she did so, the sapphire ring took on a new quality in the imagination of Capes. Art was everywhere, underfoot in the form of mosaics, overhead in the form of architecture. Neither combatant could use his sword; and in strength the fugitive was evidently superior to his antagonist. Finding remonstrances of no avail, he had recourse to threats; and when threats failed, he adopted more decided measures. “Then I don’t take this as final. Through an open door was a glimpse of the bathroom—a vision of luxury, out of which Annabel herself, in a wonderful dressing-gown and followed by a maid presently appeared.
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